CINESCORE
FRESH
32 critic reviews
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Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of Iran's political leadership emerges.
Stunning imagery. Whether interpreted as allegory or Kafkaesque nightmare, this is a prime example of the upper tier in art film. The end seemed somewhat out of place after the mesmerizing journeys through Lake Urmia in northwestern Iran. The director and others were jailed for making it. This film warrants multiple viewings.
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