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1977 • Science Fiction / Drama • 137m

Close Encounters of the Third Kind

"We are not alone."

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After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

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Top Cast

Richard Dreyfuss
Richard Dreyfuss
Roy Neary
François Truffaut
François Truffaut
Claude Lacombe
Teri Garr
Teri Garr
Ronnie Neary
Melinda Dillon
Melinda Dillon
Jillian Guiler
Bob Balaban
Bob Balaban
David Laughlin
J. Patrick McNamara
J. Patrick McNamara
Project Leader
Warren J. Kemmerling
Warren J. Kemmerling
Wild Bill
Roberts Blossom
Roberts Blossom
Farmer
Cary Guffey
Cary Guffey
Barry Guiler
Lance Henriksen
Lance Henriksen
Robert
Gene Dynarski
Gene Dynarski
Ike
Carl Weathers
Carl Weathers
Military Policeman
Norman Bartold
Norman Bartold
Norman Bartold
F.J. O'Neil
F.J. O'Neil
ARP Project Member
Hal Barwood
Hal Barwood
Returnee #2 Flt. 19
Matthew Robbins
Matthew Robbins
Returnee #3 Flt. 19
Luis Contreras
Luis Contreras
Federale
George DiCenzo
George DiCenzo
Major Benchley
Producer: Michael PhillipsDirector: Steven SpielbergProducer: Julia PhillipsWriter: Steven Spielberg

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Reviews

I
Ian Beale
2017-02-16
80%

**Do the mashed potato!** Roy Neely is a gas repair man who has a close encounter with an alien craft and begins having strange visions of mashed potatoes, shaving cream and mud mountains. This all leads to Needy's marriage breaking up and he sets out to find the truth about his mashed potato visions. The climax at a mountain is breathtaking when Neely comes face to face with his destiny. One of Spielberg's best with a nice cameo by French director Francois Truffaut.

CinemaSerf
2023-06-04
70%

I always remember as a child hoping/praying that if extra terrestrials ever did come to visit us, that they wouldn't arrive in America. Think "The Day the Earth Stood Still" (1951) or most other sci-fi stories: the first things they would see when they opened their door would be guns, tanks, missiles, soldiers... This film takes a far more sophisticated approach to how we might engage with an alien species, and together with some super effects and a far more nuanced storyline leaves us with room for optimism that we might not just try to shoot first and ask questions afterwards - should anyone ever do arrive. Spielberg was still, in my view anyway, learning his craft when he wrote/directed this and that shows in the real paucity of pace for the first hour. Richard Dreyfuss is adequate, but the constantly amazed/perplexed looks on his face start to become annoying after a while. François Truffaut features now and again - largely as part of a parallel storyline - but really, this only begins to engage in the last thirty minutes when the threads all knit together giving us a clever denouement as the scientists discover an innovative, musical, way to communicate that doesn't involved threats and bullets. Oddly enough, even when I first saw this at the age of 9, I never got any sense of menace from our travellers and the absence of any substantial physical form for us to identify with seems to help keep the magic working. Not John Williams' finest work, I thought the score suffered from the slow rate of progress with the plot but the symbolism and curiosity of spirit this film engenders makes it still, just about, worth sticking though...

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Details

Status
Released
Origin
US
Languages
Hindi, English, French, Spanish
Studios
Julia Phillips and Michael Phillips Productions, Columbia Pictures, EMI Films
Budget
$20,000,000
Box Office
$306,889,114

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