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1958 • Drama • 75m

Machete

"Murder and Manhunt in the Caribbean Jungle Lands!"

67

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FRESH

5 critic reviews

69%

POPCORN METER

AUDIENCE

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The opportunistic Jean marries an older man, plantation owner Don Luis, for financial security and finds herself falling for his virile right-hand man, Carlos. Jealous of Carlos' position and fearing that Jean will inherit Luis' money, his greedy cousin, Miguel, does his best to turn Luis against the would-be lovers and come out on top in the process.

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Top Cast

Mari Blanchard
Mari Blanchard
Jean Montoya
Albert Dekker
Albert Dekker
Don Luis Montoya
Juano Hernández
Juano Hernández
Bernardo
Carlos Rivas
Carlos Rivas
Carlos
Lee Van Cleef
Lee Van Cleef
Miguel
Director: Kurt NeumannScreenplay: Kurt NeumannProducer: Kurt NeumannScreenplay: Carroll YoungExecutive Producer: J. Harold Odell

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Reviews

John Chard
2014-05-27
50%

The Plantation of Passions, Pilfering and Poison. Machete is directed by Kurt Neumann and Neumann co-wrote the screenplay with Carroll Young. It stars Mari Blanchard, Albert Dekker, Carlos Rivas, Lee Van Cleef, Ruth Cains and Juano Hernandez. Music is by Paul Sawtell and Bert Shefter and cinematography is by Karl Struss. Set at and filmed in Aguirre, Puerto Rico, Machete is a sort of jungle noir mixed with melodramatic oddities. Plot essentially has Blanchard sticking her chest out and marrying Dekker's plantation owner purely for financial security. Upon arriving at said plantation, she quickly gets the hots for Hernandez's hard working and honest Bernardo, which puts everybody's nose out of joint, not least the scheming Miguel (Cleef). Who promptly sets about spreading the poison to feather his own nefarious laden nest. Blanchard gives her all for the femme fatale role, but everyone else is either subdued or bogged down by the silly scripting. This in turn produces some very uneven performances by the rest of the cast, which in Dekker's case is unusual. Struss' night time photography is a plus, though there's nothing particularly striking or any atmosphere enhancement going on. The fight choreography is also very poor, rendering the machete symbolism weaker than I'm sure the makers intended. As a Dekker fan I'm just pleased to have been able to see it and strike it off my "to see" list, while Blanchard's exuberant efforts always keeps it watchable. But it's a hard one to recommend with any sort of confidence. 5/10

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Details

Status
Released
Origin
US
Languages
English
Studios
J. Harold Odell

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