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2022 • Drama • 102m

Living

"It's never too late to start."

70

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FRESH

518 critic reviews

71%

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London, 1953. Mr. Williams, a veteran civil servant, is an important cog within the city's bureaucracy as it struggles to rebuild in the aftermath of World War II. Buried under paperwork at the office and lonely at home, his life has long felt empty and meaningless. Then a devastating medical diagnosis forces him to take stock, and to try and grasp some fulfilment before it passes permanently beyond reach.

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Top Cast

Bill Nighy
Bill Nighy
Williams
Aimee Lou Wood
Aimee Lou Wood
Margaret Harris
Alex Sharp
Alex Sharp
Peter Wakeling
Tom Burke
Tom Burke
Sutherland
Adrian Rawlins
Adrian Rawlins
Middleton
Oliver Chris
Oliver Chris
Hart
Zoe Boyle
Zoe Boyle
Mrs. McMasters
Barney Fishwick
Barney Fishwick
Michael
Patsy Ferran
Patsy Ferran
Fiona
Michael Cochrane
Michael Cochrane
Sir James
Lia Williams
Lia Williams
Mrs. Smith
Jamie Wilkes
Jamie Wilkes
Talbot
Richard Cunningham
Richard Cunningham
Harvey
John Mackay
John Mackay
Jones
Ffion Jolly
Ffion Jolly
Mrs. Button
Celeste Dodwell
Celeste Dodwell
Mrs. Matthews
Jonathan Keeble
Jonathan Keeble
Doctor Matthews
Eunice Roberts
Eunice Roberts
Miss Fry
Producer: Stephen WoolleyProducer: Elizabeth KarlsenExecutive Producer: Ko KurosawaExecutive Producer: Norman MerryExecutive Producer: Peter HampdenExecutive Producer: Sean WheelanExecutive Producer: Thorsten SchumacherExecutive Producer: Emma Berkofsky

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Reviews

CinemaSerf
2022-11-05
70%

Now I am not usually a particular fan of Bill Nighy but in this he is very much at the top of his game. An adaptation of Kurosawa's "Ikuru" (1952), the setting is shifted to London where Nighy is the fastidious "Mr. Williams". A local civil servant heading up the public works department of the London County Council. His small team has some new blood in the form of "Mr. Wakeling" (Alex Sharp) whose baptism in the department is to accompany three ladies (and the audience) on a revelative journey through the pillar-to-post red tape that "Williams" himself facilitates - all guaranteeing that very little actually ever gets done! Leaving early one day, we discover that this erstwhile precise and predictable individual is seriously ill. Unable and/or unwilling to divulge this information to his son, he absconds to the seaside where he encounters "Sutherland" (Tom Burke) who gives him a relaxing tour of the local hotspots before he return to London and happens upon one of his team "Miss Harris" (Aimee Lou Wood). A posh luncheon ensues and the elderly gent and his young colleague start to bond. This bond soon has - unbeknown to either of them - tongues wagging, but when she gets a new job he finds himself drawn to her. Drawn to her joie de vivre and general enthusiasm for a life he knows he will not have for too much longer. That becomes contagious as he decides to apply himself, and his team, to achieving at least one more thing in a professional capacity! It is a gently paced and evocative story that deals with that sense of re-prioritisation faced by anyone when faced with a profound change in circumstances. Nighy has a delightfully understated manner to his performance here, Wood is also effective as his increasingly valuable confidente and Oliver Hermanus manages to retain much of the charm and subtly potent impetus of the original Ishiguro story. It is beautifully scored by Emilie Levienaise-Farrouch who incorporates original and powerful themes with established classical ones. The costumes and overall aesthetic of the film complements well the classy and impressive performances that resonated in quite a thought-provoking, and multi-layered fashion as I watched it. I was engaged by this from start to finish and I really quite enjoyed it.

Peter McGinn
2023-04-20
90%

This is one of the better “quiet” movies, as I call them, that I have watched in a long time. Bill Nighy seems to excel in restrained roles, where he speaks quietly and shows emotion subtly. I am thinking especially of The Girl in the Cafe, where he oddly enough also plays a civil servant. Nighy is wonderful and methodical (in a good way) as a man who is thawing out from a repetitious, paralyzed life after he receives life-altering news. He even impresses when he sings a song in the same quiet, restrained manner. A flashback is applied in an odd way nearer the end of the movie, but it works as an imaginative way to fill in the details of the ending. I fully expect to watch this again.

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Keywords

Details

Status
Released
Origin
GB
Languages
English, Portuguese, Spanish
Studios
Number 9 Films, Film4 Productions, County Hall Arts, Lipsync Productions, RocketScience, Kurosawa Production, Filmgate Films, Film i Väst, Woolley/Karlsen Productions
Budget
$10,000,000
Box Office
$6,999,027
Website
https://living-movie.com/

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