CINEFLIX HD — OFFICIAL TRAILERS, REVIEWS & RATINGS UPDATED DAILY
1976 • Drama / Horror • 117m

Salò, or the 120 Days of Sodom

"The final vision of a controversial filmmaker."

63

CINESCORE

FRESH

2,306 critic reviews

65%

POPCORN METER

AUDIENCE

Verified ratings

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

IMDb

Official Trailer

More Videos

Top Cast

Paolo Bonacelli
Paolo Bonacelli
The Duke
Giorgio Cataldi
Giorgio Cataldi
The Bishop
Uberto Paolo Quintavalle
Uberto Paolo Quintavalle
The Magistrate
Aldo Valletti
Aldo Valletti
The President
Caterina Boratto
Caterina Boratto
Signora Castelli
Elsa De Giorgi
Elsa De Giorgi
Signora Maggi
Hélène Surgère
Hélène Surgère
Signora Vaccari
Sonia Saviange
Sonia Saviange
The Pianist
Sergio Fascetti
Sergio Fascetti
Sergio
Bruno Musso
Bruno Musso
Carlo Porro
Claudio Cicchetti
Claudio Cicchetti
Male Victim
Franco Merli
Franco Merli
Male Victim
Umberto Chessari
Umberto Chessari
Male Victim
Graziella Aniceto
Graziella Aniceto
Female Victim
Renata Moar
Renata Moar
Female Victim
Dorit Henke
Dorit Henke
Doris
Antiniska Nemour
Antiniska Nemour
Female Victim
Olga Andreis
Olga Andreis
Eva
Writer: Pupi AvatiWriter: Sergio CittiWriter: Pier Paolo PasoliniProducer: Antonio GirasanteProducer: Alberto GrimaldiDirector: Pier Paolo PasoliniProducer: Alberto De Stefanis

Photos

Reviews

CinemaSerf
2022-08-29
50%

Well you have to hand it to Pier Paolo Pasolini - he had one hell of an imagination. Here he devises a story of a group of nine young men and women who are apprehended by four powerful Fascist officials and held captive for use in some of the most degrading and painful games of sex, humiliation and abuse. I was warned not to eat chocolate before I saw this, and towards the end of this bizarre depiction of cruelty, depravity and exploitation it became quite clear why - and I'd reiterate that here. There is something profoundly desperate about the film. It has nothing even vaguely redeeming about it. Is it allegorical? Perhaps Pasolini is swiping at what he perceived to be the beginning of the disposable culture? Perhaps the illustration of mankind at it's more obscene offers us his perspective on just what humanity had become by the mid 1970s? In any case, this is frankly rather a disgusting film to watch and though I did feel the ending had a great deal of suitable retribution to it, I still struggled to quite get my head around this epitome of man's inhumanity to their own kind. I doubt I shall ever watch it again, but it packed out the cinema in which I watched it and there was plenty of provocative conversation in the bar about it afterwards...

D
DougG_YVR
2023-06-06
70%

Wow! You can't escape the fact that this movie pushes the limits of disturbing art! Many will call it sick. I suspect the point of this film is more about the depravity and dehumanization of fascism, political corruption, totalitarianism, and morality. I have not read the Marquis de Sade's work on which this film was based. **It isn't possible to "un-see" a film, so be prepared if you choose the experience.** It was described to me as "horror" before I watched it, and I'm not sure it truly captures the film's genre. I can't think of a film genre that adequately describes it. I will probably never watch it again or forget the images it seared on my brain. But I was challenged to think about various political and societal themes that are still very relevant today.

Audience Reviews(0)

Sign in to share your review of Salò, or the 120 Days of Sodom.SIGN IN

Loading reviews…

Keywords

Details

Status
Released
Origin
IT
Languages
German, French, Italian
Studios
Les Productions Artistes Associés, PEA
Budget
$800,000
Box Office
$1,800,000

Recommended For You

More Like This