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1934 • Comedy / Music • 69m

Stand Up and Cheer!

53

CINESCORE

MIXED

12 critic reviews

55%

POPCORN METER

AUDIENCE

Verified ratings

President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new secretary soon runs afoul of political lobbyists out to destroy his department.

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Top Cast

Warner Baxter
Warner Baxter
Lawrence Cromwell
Madge Evans
Madge Evans
Mary Adams
James Dunn
James Dunn
Jimmy Dugan
Sylvia Froos
Sylvia Froos
Sylvia Froos
John Boles
John Boles
John Boles
Arthur Byron
Arthur Byron
John Harly
Shirley Temple
Shirley Temple
Shirley Dugan
Ralph Morgan
Ralph Morgan
Secretary to President
Frank Mitchell
Frank Mitchell
Senator Danforth
Jack Durant
Jack Durant
Senator Short
Dick Foran
Dick Foran
Nick Foran
Nigel Bruce
Nigel Bruce
Eustis Dinwiddle
John 'Skins' Miller
John 'Skins' Miller
Hill-Billy
Stepin Fetchit
Stepin Fetchit
Stepin Fetchit
Lynn Bari
Lynn Bari
White House Secretary / Chorine (uncredited)
Scotty Beckett
Scotty Beckett
Boy Auditioning for Miss Adams (uncredited)
Audrene Brier
Audrene Brier
Dancer
Shirley Deane
Shirley Deane
Dancer
Director: Hamilton MacFaddenProducer: Winfield R. Sheehan

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Reviews

CinemaSerf
2024-01-07
50%

This starts off quite promisingly, with a bumbling 'Dinwiddle" (Nigel Bruce) explaining to awaiting reporters just what his job as chief scout for Broadway impresario "Cromwell" (Warner Baxter) actually is. Then, right on cue, his boss arrives by gyro-copter on the White House lawn for a meeting at which the President offers him a $100m budget and one year as "Secretary of Amusement". His task? Cheer up the American populace after the misery of the 1920s. He quickly assembles his own cabinet - including "Mary" (Madge Evans) as his minister for children and sets about making us all smile. Sadly, Baxter and Evans - and their predictably evolving affection - feature but sparingly in what is essentially a compendium of just about every style entertainment act around at the time. An early outing for the smiling Shirley Temple is probably most notable, but even she struggles to breath much life into this almost documentary style film that could serve well as an history of what made Americans laugh in the early thirties. Some of the artistes work better than others, but a weak, occasionally politically driven, narrative and an off-form effort from what we do see of Baxter just doesn't really work. It watchable as a nostalgia exercise, but as little else I'm afraid.

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Keywords

Details

Status
Released
Origin
US
Languages
English
Studios
Fox Film Corporation

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