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1964 • Drama • 102m

The Best Man

"Does The Best Man Always Get To The White House?"

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42 critic reviews

74%

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The other party is in disarray. Five men vie for the party nomination for president. No one has a majority as the first ballot closes and the front-runners begin to decide how badly they want the job.

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Top Cast

Henry Fonda
Henry Fonda
William Russell
Cliff Robertson
Cliff Robertson
Joe Cantwell
Edie Adams
Edie Adams
Mabel Cantwell
Margaret Leighton
Margaret Leighton
Alice Russell
Shelley Berman
Shelley Berman
Sheldon Bascomb
Lee Tracy
Lee Tracy
President Art Hockstader
Ann Sothern
Ann Sothern
Sue Ellen Gamadge
Gene Raymond
Gene Raymond
Don Cantwell
Kevin McCarthy
Kevin McCarthy
Dick Jensen
Mahalia Jackson
Mahalia Jackson
Mahalia Jackson
Howard K. Smith
Howard K. Smith
Howard K. Smith
Richard Arlen
Richard Arlen
Sen. Oscar Anderson
Penny Singleton
Penny Singleton
Mrs. Claypoole (scenes deleted)
George Furth
George Furth
Tom
Mary Lawrence
Mary Lawrence
Mrs. Merwin
Marie Blake
Marie Blake
Cleaning Woman (as Blossom Rock)
Tyler McVey
Tyler McVey
Chairman
Sherwood Keith
Sherwood Keith
Doctor
Director: Franklin J. SchaffnerScreenplay: Gore VidalProducer: Stuart MillarProducer: Lawrence Turman

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Reviews

CinemaSerf
2022-04-04
70%

As the presidential nomination process comes to it's chaotic climax, the two leading candidates are deadlocked. The more principled "Russell" (Henry Fonda) and the more savvy "Cantwell" (Cliff Robertson) are trying to get the approval of the former president "Hockstader" (Lee Tracy) whilst the former tries to avoid the whole process becoming mired in personal issues (and back-stabbing). Like so many films that depict American political process, it presents a scenario in which it's rarely the best man who wins and the so-called "Land of the Free" proves anything but! Neither of these candidates really merit the job, it all just boils down to which is going to be prepared to scrape the bottom of the barrel and ruin the reputation of the other. Both Fonda and Robertson are on good form, but pale by comparison with the rather manipulative and scheming Tracy whom you could actually believe held high office once. The pace is good, there is plenty of intrigue and as the denouement looms, I was still never quite sure who was going to come out on top. I liked the ending, though I did feel it was just a little bit of a cop out. Almost as if Gore Vidal didn't really want to make a choice either! Nobody is all bad, nobody is all good - but is compromise always the best answer? It's good, this.

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Details

Status
Released
Origin
US
Languages
English
Studios
United Artists

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