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1971 • Drama / Romance • 116m

The Go-Between

"In those days, you fell in love with your own class. Or found a Go-Between."

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161 critic reviews

70%

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British teenager Leo Colston spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian. Eager to impress her, Leo becomes the "go-between" for Marian, delivering secret romantic letters to Ted Burgess, a handsome neighboring farmer.

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Top Cast

Julie Christie
Julie Christie
Lady Marian Trimingham
Alan Bates
Alan Bates
Ted Burgess
Edward Fox
Edward Fox
Hugh Trimingham
Michael Redgrave
Michael Redgrave
The Older Leo Colston
Dominic Guard
Dominic Guard
The Young Leo Colston
Margaret Leighton
Margaret Leighton
Mrs Maudsley
Michael Gough
Michael Gough
Mr Maudsley
Richard Gibson
Richard Gibson
Marcus Maudsley
Roger Lloyd Pack
Roger Lloyd Pack
Charles
Keith Buckley
Keith Buckley
Stubbs
Jim Broadbent
Jim Broadbent
Spectator at Cricket Match (uncredited)
Producer: John HeymanDirector: Joseph LoseyScreenplay: Harold PinterProducer: Norman PriggenExecutive Producer: Robert VelaiseProducer: Denis Johnson

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Reviews

CinemaSerf
2023-05-29
60%

Sadly, time has not been very kind to the potency of this film. In 2020s society, the overwhelming feeling of "so what?" is hard to shake off; despite some really strong performances. Dominic Guard is "Leo", just 13 when he is invited to summer at the Norfolk country home of one of his classmates. He quickly befriends his older sister "Marian" (Julie Christie) and is soon acting - innocently, at first - as her courier passing ostensibly harmless letters between herself, her fiancée "Hugh" (Edward Fox) and a swarthy tenant farmer "Ted" (Alan Bates). Guard is great as the young man who starts to put two and two together as he slowly gets caught up in this menage-à-trois whilst trying to accommodate his own sexual awakening. His own naive inquisitiveness gives his character an engaging and frustrating quality that we might all have related to, once upon a time. Losey's pace is off, though - it can be quite a slow burn at times and, unusually, I found the score from Michel Legrand quite distractingly repetitive. The cinematography showed off the locale to perfection and the dialogue from LP Hartley via Harold Pinter succinctly demonstrates class distinction and prejudice well.

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Keywords

Details

Status
Released
Origin
GB
Languages
English
Studios
EMI Films
Budget
$100,000

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