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1955 • Drama / Crime • 113m

The Swindle

"SOME PEOPLE DON’T GIVE A DAMN ABOUT YOUR DAUGHTERS' WELFARE!"

73

CINESCORE

FRESH

220 critic reviews

74%

POPCORN METER

AUDIENCE

Verified ratings

Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Carlo, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.

IMDb

Official Trailer

Where to Watch (India)

Criterion Channel

Top Cast

Broderick Crawford
Broderick Crawford
Augusto
Giulietta Masina
Giulietta Masina
Iris
Richard Basehart
Richard Basehart
Carlo
Franco Fabrizi
Franco Fabrizi
Roberto
Irene Cefaro
Irene Cefaro
Marisa
Lorella De Luca
Lorella De Luca
Patrizia, Augusto's Daughter
Riccardo Garrone
Riccardo Garrone
Riccardo
Mario Passante
Mario Passante
Conman
Xenia Valderi
Xenia Valderi
Luciana
Maria Zanoli
Maria Zanoli
Stella Florina
Gino Buzzanca
Gino Buzzanca
Saro (uncredited)
Gianna Cobelli
Gianna Cobelli
(uncredited)
Ada Colangeli
Ada Colangeli
(uncredited)
Gustavo De Nardo
Gustavo De Nardo
(uncredited)
Gianni Di Segni
Gianni Di Segni
Party Guest (uncredited)
Amedeo Trilli
Amedeo Trilli
(uncredited)
Director: Federico FelliniProducer: Goffredo LombardoScreenplay: Tullio PinelliScreenplay: Federico FelliniScreenplay: Ennio FlaianoProducer: Silvio ClementelliProducer: Charles DelacProducer: Mario Derecchi

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Reviews

CinemaSerf
2022-11-14
70%

I had no idea, until recently, that Broderick Crawford had ever done this film and he's really quite good. He ("Augusto") leads a trio of grifters who take the low hanging fruit. They have no scruples about robbing the vulnerable, ordinary folks - and are quite imaginative when it comes to their scams. Set against a backdrop of a still recovering post-war Italy, there is an effective cynicism about the way the plot and the characters develop. Crawford works well with sidekick Richard Basehart's "Carlo" but his is the stand out role. The rest of the film does run a little to typical crime-noir stereotype, but the photography that marries the bleak with the beautiful, and a superb score from the always reliable Nino Rota give this more of a grandeur. I wasn't mad on the ending - it was just too easy, too predictable and somehow underwhelmed Crawford's otherwise really quite nuanced performance. It tugs well at our heart-strings at times whilst offering a soupçon of humour and is a film that demonstrated a talent in the star I wasn't expecting.

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Keywords

Details

Status
Released
Origin
IT
Languages
Italian
Studios
Titanus, Société Générale de Cinématographie (S.G.C.)

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