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1934 • Comedy / Romance • 91m

Twentieth Century

"The Star of Stars in the Hit of Hits!"

68

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114 critic reviews

70%

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A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.

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Top Cast

John Barrymore
John Barrymore
Oscar Jaffe
Carole Lombard
Carole Lombard
Lily Garland, formerly Mildred Plotka
Walter Connolly
Walter Connolly
Oliver Webb
Roscoe Karns
Roscoe Karns
Owen O'Malley
Ralph Forbes
Ralph Forbes
George Smith
Charles Lane
Charles Lane
Max Jacobs
Etienne Girardot
Etienne Girardot
Matthew J. Clark
Dale Fuller
Dale Fuller
Sadie
Edgar Kennedy
Edgar Kennedy
Oscar McGonigle
Billie Seward
Billie Seward
Anita
Herman Bing
Herman Bing
Beard #1 (uncredited)
James Burke
James Burke
Sheriff (uncredited)
Pat Flaherty
Pat Flaherty
Flannigan (uncredited)
Clarence Geldart
Clarence Geldart
Colonel Merriweather in Play (uncredited)
Howard Hickman
Howard Hickman
Dr. Johnson (uncredited)
Lee Kohlmar
Lee Kohlmar
Beard #2 (uncredited)
Frank Marlowe
Frank Marlowe
Mulligan (uncredited)
Mary Jo Mathews
Mary Jo Mathews
Emmy Lou in Play (uncredited)
Screenplay: Ben HechtDirector: Howard HawksScreenplay: Gene FowlerExecutive Producer: Harry CohnScreenplay: Charles MacArthurProducer: Howard HawksWriter: Preston Sturges

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Reviews

barrymost
2019-09-05
80%

You'd best hold on tight and don't let go because you're in for quite the ride on board the Twentieth Century. It's screwball comedy taken to the absolute max, and it barely lets up for a minute. It's one ridiculously memorable (or memorably ridiculous) scene after another, with just a couple highlights being Carole Lombard getting stabbed in the behind with a pincushion, and John Barrymore faking a fatal bullet wound in order to get her to sign another contract. John Barrymore is unbelievably and hopelessly hammy, and I mean that in a very good way. The film itself is so completely over the top, you will either love it wholeheartedly, or hate it with a passion. I do hope it's the former.

CinemaSerf
2024-08-21
70%

I'm not quite sure what the title had to do with anything, but this is still an enjoyable opportunity for John Barrymore and Carole Lombard to have some theatrical games of cat and mouse with a bit of help from the long suffering Walter Connolly's "Oliver" and the permanently sozzled "Owen" (Roscoe Karns). Barrymore is the acclaimed impresario "Jaffe" who discovers the improbably named "Mlldred Plotka", re-christens her "Lily Garland" and - despite herself - decides to make her a star. Turns out he's not a bad judge of character, but as her star ascends the relationship between them sours. She takes up an offer to move to Hollywood and that leaves him in the lurch. A few flops later and he's desperate to get her back. Might a chance meeting on a train manage to reconcile them or are things just too far gone for that now? The writing really does allow Barrymore and Lombard to play to their strengths here providing loads of thespian dramatics and ham as the plot motors along for an hour and an half. There's a diverting little sub-plot featuring a poster boy with a difference (Etienne Girardot) before a clever little denouement that just has to raise a smile. It's a classy comedy this with more than a little of the stage play to it's dynamic as Howard Hawks sits back and let's his stars entertain us.

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Details

Status
Released
Origin
US
Languages
German, English
Studios
Columbia Pictures

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