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1950 • Drama / Crime • 106m

No Way Out

"Is it a question... or an answer?"

69

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106 critic reviews

71%

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Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.

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Top Cast

Richard Widmark
Richard Widmark
Ray Biddle
Linda Darnell
Linda Darnell
Edie Johnson
Sidney Poitier
Sidney Poitier
Luther Brooks
Stephen McNally
Stephen McNally
Dan Wharton
Mildred Joanne Smith
Mildred Joanne Smith
Cora Brooks
Harry Bellaver
Harry Bellaver
George Biddle
Stanley Ridges
Stanley Ridges
Sam Moreland
Dots Johnson
Dots Johnson
Lefty Jones
Robert Adler
Robert Adler
Louie (uncredited)
Ernest Anderson
Ernest Anderson
School Teacher (uncredited)
Jessie Arnold
Jessie Arnold
Woman (uncredited)
Eleanor Audley
Eleanor Audley
Wife (uncredited)
Betsy Blair
Betsy Blair
Telephone Operator (uncredited)
Harry Carter
Harry Carter
Orderly (uncredited)
Ossie Davis
Ossie Davis
John Brooks (uncredited)
Ruby Dee
Ruby Dee
Connie Brooks (uncredited)
Ralph Dunn
Ralph Dunn
Sam (uncredited)
Elzie Emanuel
Elzie Emanuel
Student (uncredited)
Director: Joseph L. MankiewiczWriter: Lesser SamuelsWriter: Joseph L. MankiewiczProducer: Darryl F. Zanuck

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Reviews

CinemaSerf
2026-01-11
70%

Talk about biting the hand that would feed you! Two petty thieves end up in hospital after a robbery went wrong. “Ray” (Richard Widmark) is an angry and odious character who refuses to let the duty doctor “Brooks” (Sydney Poitier) anywhere near his injured brother. His protestations are ignored, but when the patient dies his brother begins to make all sorts of vile racist assertions against the doctor. These noises are soon being heard on the streets, and with racial tensions already running high the situation becomes dangerous for the doctor, his family, his hospital and amidst a community at large just itching for a brawl. Central to this toxicity is “Edie” (Linda Darnell). She was formerly married to the deceased man and although she’s not quite a card-carrying member of the KKK, she is still fairly bigoted and is inclined to support the allegations of “Ray”. However, as she sees the brutality unfold might she realise that she is wrong, that “Ray” is wrong and that she might be the only one who can help - especially when “Ray” escapes and sets off on his own path of vengeance. Widmark wasn’t always the most engaging of actors, indeed he could be downright wooden at times, but here there is something viscerally unpleasant about his characterisation and he commits himself completely to depicting an ignorant man convincingly. Darnell is also on great form as a troubled soul for whom it is quite difficult to have sympathy at the start, but whose performance rather effectively epitomises struggles across America with matters of racism, mental illness and to an extent, sexism too. Poitier’s character isn’t so very well developed, but he still manages to bring a professional dignity to his role, especially towards the conclusion, and all in all this is a thought-provoking film that even manages to evoke a little pity, too.

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Details

Status
Released
Origin
US
Languages
English
Studios
20th Century Fox
Box Office
$1,300,000

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