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1964 • Horror / Thriller • 88m

Blood and Black Lace

"A Fashion House of Models… Becomes a Terror House of Blood!"

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468 critic reviews

74%

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Isabella, a young model, is murdered by a mysterious masked figure at a fashion house in Rome. When her diary, which details the house employees' many vices, disappears, the masked killer begins killing off all the models in and around the house to find it.

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Top Cast

Cameron Mitchell
Cameron Mitchell
Massimo Morlacchi
Eva Bartok
Eva Bartok
Contessa Cristiana Cuomo
Thomas Reiner
Thomas Reiner
Inspector Silvestri
Ariana Gorini
Ariana Gorini
Nicole
Dante DiPaolo
Dante DiPaolo
Franco Scalo
Mary Arden
Mary Arden
Peggy Peyton
Franco Ressel
Franco Ressel
Marchese Riccardo Morelli
Claude Dantes
Claude Dantes
Tao-Li
Luciano Pigozzi
Luciano Pigozzi
Cesare Lazzarini
Lea Lander
Lea Lander
Greta
Massimo Righi
Massimo Righi
Marco
Giuliano Raffaelli
Giuliano Raffaelli
Zanchin
Harriet Medin
Harriet Medin
Clarissa
Heidi Stroh
Heidi Stroh
Bleach Blond Model
Enzo Cerusico
Enzo Cerusico
Gas Station Attendant
Calisto Calisti
Calisto Calisti
Butler (uncredited)
Romano Moraschini
Romano Moraschini
Suspect at Police Station (uncredited)
Goffredo Unger
Goffredo Unger
The Masked Killer (uncredited)
Director: Mario BavaWriter: Giuseppe BarillaWriter: Mario BavaScreenplay: Marcello FondatoExecutive Producer: Georges C. StillyProducer: Massimo PatriziProducer: Alfredo Mirabile

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Reviews

CinemaSerf
2022-07-06
70%

When the glamorous model "Isabella" is found murdered, "Insp. Silvestri" (Thomas Reiner) is drafted in to investigate. Pretty quickly he discovers, as do we, that she kept a diary and it now becomes distinctly dangerous for anyone who has handled this book as the masked killer seems hell bent on retrieving it. There are suspects a-plenty for the killings, and an intriguing sub-lot between a penniless Marquis (Franco Ressel) being blackmailed for an alibi by the boyfriend of one of the deceased, makes the main plot a little more puzzling too. It packs quite a lot into ninety minutes and the story is peppered with red herrings but not in an Agatha Christie fashion. They are more plausible, the characterisations malevolent, duplicitous and back-stabbing and for much of this, we really have no idea who is committing these heinous crimes, nor why. The score is left in the reliable hands of Carlo Rustichelli and though the dialogue isn't that bad, it is this that works well to create a sense of menace - and mischief, as the investigation reaches it's denouement. Tangentially, it takes a swipe or two at the rather insincere worlds of modelling and fashion in general, and is easily as good as the best horror thrillers to emanate from Hammer. Despite the whole thing having something of an episode of "Columbo" to it, it's still worth a watch.

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Keywords

Details

Status
Released
Origin
IT
Languages
Italian
Studios
Emmepi Cinematografica, Monachia Film, Les Productions Georges de Beauregard, Top-Film

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