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1949 • Drama / Thriller • 87m

Reign of Terror

"Open or shut… it can cost your life!"

68

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53 critic reviews

70%

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The French Revolution, 1794. The Marquis de Lafayette asks Charles D'Aubigny to infiltrate the Jacobin Party to overthrow Maximilian Robespierre, who, after gaining supreme power and establishing a reign of terror ruled by death, now intends to become the dictator of France.

IMDb

Top Cast

Robert Cummings
Robert Cummings
Charles D'Aubigny
Richard Basehart
Richard Basehart
Maximilian Robespierre
Richard Hart
Richard Hart
François Barras
Arlene Dahl
Arlene Dahl
Madeleine
Arnold Moss
Arnold Moss
Fouché
Norman Lloyd
Norman Lloyd
Tallien
Charles McGraw
Charles McGraw
Sergeant
Beulah Bondi
Beulah Bondi
Grandma Blanchard
Jess Barker
Jess Barker
Saint-Just
Ray Bennett
Ray Bennett
Robespierre's Shooter (uncredited)
Chet Brandenburg
Chet Brandenburg
Citizen (uncredited)
William Challee
William Challee
Bourdon (uncredited)
Clancy Cooper
Clancy Cooper
Saint Just's Sentry (uncredited)
Wade Crosby
Wade Crosby
Danton (uncredited)
Mary Currier
Mary Currier
Mme. Duval (uncredited)
Sayre Dearing
Sayre Dearing
Citizen (uncredited)
John Doucette
John Doucette
Pierre Blanchard (uncredited)
Wilton Graff
Wilton Graff
Marquis de Lafayette (uncredited)
Director: Anthony MannScreenplay: Philip YordanScreenplay: Æneas MacKenzieProducer: William Cameron Menzies

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Reviews

John Chard
2019-01-28
70%

It must be quite a thrill, making out your death list every night. The Black Book (AKA: Reign of Terror) is directed by Anthony Mann and written by Aeneas MacKenzie and Phillip Yordan. It stars Robert Cummings, Richard Basehart, Richard Hart, Arlene Dahl, Charles McGraw and Arnold Moss. Sol Kaplan scores the music and John Alton is the cinematographer. Late 18th century France and the republic is in chaos as the French Revolution continues to rage. Scheming bad boy Maximillian Robespierre (Basehart) spies an opportunity for a dictatorship, within 48 hours he will seize control and rule France with a rod of iron. But there is hope in the form of a resistance freedom fighter named Charles D'Aubigny (Cummings), if only he can locate the secret Black Book belonging to Robespire then he can curtail the tyrant's plan. Before he would make his name in Adult Westerns and Period Epics, Anthony Mann made a considerable mark on film noir. From the mid 1940's to the beginning of the 50's, he made a number of film noir movies that marked him out as a considerable talent. Of that cluster the most odd one is The Black Book, an historical period thriller done out in film noir clobber. Forget history and approach the film as a piece of entertainment only, a film rich in film noir visuals and no small amount of quality drama. It has problems, namely it has a fakeness about it that's hard to shake off, while Cummings is weak and Dahl serves only to be a plot point in the final reel. But Alton and Mann's stunning sense of mood and visual atmospherics save the day, while there's value to be had in the performances of Basehart (dastardly), McGraw (menacing) and Moss (slimey). 7/10 Footnote: Sadly the only DVD available for the film is an appalling transfer, both in picture and sound. It's advised to watch it during daylight hours and with the headphones on.

CinemaSerf
2022-07-09
70%

It's quite interesting that, aside from the "Scarlet Pimpernel", there are relatively few films that deal with the French revolution and this is certainly one of the better ones. Robespierre (Richard Basehart) is suitably menacing as the First Citizen of the new Republic bent on becoming Dictator. When his opponents discover the existence of, and manage to steal, his secret black book - in which are named the people he intends to have visit Madame Guillotine, he and St. Just (Jess Barker) must recover it at any cost. Robert Cummings is good, if a little too Louis Hayward-esque, as the dashing "D'Aubigny" who, ably aided by Arlene Dahl ("Madelon") - is determined to use the book ensure the downfall of his power-mad foe and secure democracy for his country. Arnold Moss stands out, too, as the duplicitous "Fouché" and Anthony Mann and John Alton work well together with Philip Jordan's story to create a tense, eerily lit drama that creates more than enough menace - especially towards the end - to keep this entertaining throughout with a fair degree of authentic looking sets from Culver City.

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Keywords

Details

Status
Released
Origin
US
Languages
English
Studios
Walter Wanger Productions, Eagle-Lion Films

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