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1995 • Drama / Romance • 126m

The Pillow Book

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186 critic reviews

65%

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Nagito has a fetish for calligraphy on the human body and meets her ideal soulmate Jerome, an English translator sent to Japan. However, once Nagiko's father's gay publisher rejoins the scene, the story is overtaken by treachery and bloodlust.

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Top Cast

Vivian Wu
Vivian Wu
Nagiko
Yoshi Oida
Yoshi Oida
The Publisher
Ken Ogata
Ken Ogata
The Father
Hideko Yoshida
Hideko Yoshida
The Aunt / The Maid
Ewan McGregor
Ewan McGregor
Jerome
Judy Ongg
Judy Ongg
The Mother
Ken Mitsuishi
Ken Mitsuishi
The Husband
Lynne Langdon
Lynne Langdon
Jerome's sister
Ronald Guttman
Ronald Guttman
Calligrapher
Samuel Leung Cheuk-Moon
Samuel Leung Cheuk-Moon
Adrian Kwan
Adrian Kwan
Director: Peter GreenawayWriter: Sei ShonagonWriter: Peter GreenawayProducer: Kees KasanderExecutive Producer: Terry GlinwoodExecutive Producer: Denis WigmanExecutive Producer: Jean-Louis PielExecutive Producer: Tom Reeve

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Reviews

CinemaSerf
2024-01-26
70%

Hmmm. The thing about films that showcase the male body quite this much is that after a while you start wondering why blokes with perfect physiques and faces always seem to have such an underwhelming payload down below! Anyway, the young "Nagiko" (Vivian Wu) recalls the memories from her childhood when her father used to paint some delicately elegant calligraphy on her face. These perfectly crafted characters - and some accompanying and wonderfully enigmatic stories, all emanated from the works of a lady-in-waiting at the 10th century Heian court in Japan. Subsequently, as an adult she is fascinated by this form of art, and with painting the bodies of those who share her rather lively sex life. "Jerome" (Ewan McGregor) has slovenly hand-writing that drives her mad, but soon they are enthralled with each other and he becomes one of the the more willing partners joining in with her games of sex and scribe-work. There's no doubt that some of the body work she creates would be the envy of many a modern day tattooist. Now there's got to be a twist - and soon she discovers that "Jerome" likes his oysters and his snails - and that he is having a dalliance with a publisher who made life difficult for her father. She sees an opportunity to not just get even, but to get her own book out there too. The presentation, like the book, is delivered in chapters. That's not always the easiest to follow, nor are they in anyway chronological - the narrative has a rather rambling mind of it's own sometimes and that does undermine the literary value of this leaving us with a story that does jar occasionally. Essentially, in the end it's a gorgeously photographed aesthetic that works well sometimes, not so well others. It's not a great story, but it's a creative and visionary look at the beauty of the male body - and personality - as seen through a woman with love, lust and revenge in her eyes. Bizarrely compelling to watch - it could have done without any dialogue at all and just been presented as a soundtrack-only piece of attractive cinema.

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Details

Status
Released
Origin
GB, LU, NL, FR
Languages
English, Italian, Japanese, Mandarin, French, Cantonese
Studios
Kasander & Wigman Productions, Alpha Films, Nederlands Fonds voor de Film, Woodline Films Ltd., Film4 Productions

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