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2001 • Comedy / Drama • 109m

My First Mister

"Mismatched. Misguided. Unmistakably friends."

65

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68 critic reviews

67%

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Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.

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Top Cast

Albert Brooks
Albert Brooks
Randall ("R")
Leelee Sobieski
Leelee Sobieski
Jennifer ("J")
Desmond Harrington
Desmond Harrington
Randy
Carol Kane
Carol Kane
Mrs. Benson
Mary Kay Place
Mary Kay Place
Patty (Nurse)
Michael McKean
Michael McKean
Bob
Rutanya Alda
Rutanya Alda
Woman at Apartment
Gary Bullock
Gary Bullock
Mr. Smithman
Kevin Cooney
Kevin Cooney
Doctor
Nic Costa
Nic Costa
Blaine (Surfer Boy)
John Goodman
John Goodman
Benjamin
Shawn Huff
Shawn Huff
Woman at R's Store
Pauley Perrette
Pauley Perrette
Bebe
Lisa Jane Persky
Lisa Jane Persky
Sheila
Katee Sackhoff
Katee Sackhoff
Ashley
Lorna Scott
Lorna Scott
Woman in Store
Chris Wylde
Chris Wylde
Waiter (Coffee House)
Joan Blair
Joan Blair
Sauna Woman (uncredited)
Director: Christine LahtiWriter: Jill FranklynProducer: Carol BaumProducer: Jane GoldenringProducer: Anne KurtzmanProducer: Mitchell SolomonExecutive Producer: Margit BimlerExecutive Producer: Gerald Green

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Reviews

Wuchak
2025-09-23
70%

**_Love is key to let down the mask and unite_** An alienated 17 years-old girl hiding behind piercings (Leelee Sobieski) applies for a job at a swank clothing store in a Los Angeles mall and starts an interesting relationship with the 49 years-old manager (Albert Brooks). But what’s the nature of their connection? The curiously titled "My First Mister" (2001) was Christine Lahti’s only directorial effort, as far as feature films go. It treads similar terrain as “Lawn Dogs” from four years earlier and does it better. Like that film, a few scenes come across a little awkward or unconvincing but, for the most part, it works and is more effective by comparison. The best of these types of movies, of course, is “Lost in Translation,” which came out two years later. Someone might balk that “Lost” takes a different direction and that’s obvious, but it doesn’t change the fact that these flicks tackle similar themes. They explore the nature of a profound connection between members of the opposite sex from different generations. Is it a spiritual connection in the sense of father/daughter or is it a romantic connection? If it’s the former, does that automatically omit any and all feelings of the latter? Needless to say, love is a powerful emotion and when a ‘love connection’ takes place, the participants have to be careful to channel such potent feelings in a positive direction. Otherwise, great destruction can occur. Be wise, my son; be careful, my daughter; and wonderful things can occur. As the proverb says, “Let love and faithfulness never leave you; bind them around your neck, write them on the tablet of your heart.” It runs 1 hour, 49 minutes, and was shot in the Los Angeles area, including Westfield Century City (mall), Venice and Santa Clarita. GRADE: B

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Keywords

Details

Status
Released
Origin
US
Languages
English
Studios
Total Film Group, ApolloMedia, Firelight Films, Film Roman, Paramount Classics
Budget
$5,250,000
Box Office
$595,005

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