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1955 • Drama • 103m

I Live in Fear

73

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FRESH

122 critic reviews

74%

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An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.

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Criterion Channel

Top Cast

Toshirō Mifune
Toshirō Mifune
Kiichi Nakajima
Takashi Shimura
Takashi Shimura
Domestic Court Counselor Dr. Harada
Minoru Chiaki
Minoru Chiaki
Jiro Nakajima
Masao Shimizu
Masao Shimizu
Yamazaki, Yoshi's husband
Eiko Miyoshi
Eiko Miyoshi
Toyo Nakajima
Kyoko Aoyama
Kyoko Aoyama
Sue Nakajima
Haruko Tōgō
Haruko Tōgō
Yoshi Nakajima
Noriko Sengoku
Noriko Sengoku
Kimie Nakajima
Akemi Negishi
Akemi Negishi
Asako Kuribayashi
Hiroshi Tachikawa
Hiroshi Tachikawa
Ryoichi Sayama
Kichijirō Ueda
Kichijirō Ueda
Mr. Kuribayashi father
Eijirō Tōno
Eijirō Tōno
Old man from Brazil
Yutaka Sada
Yutaka Sada
Ichiro Nakajima
Kamatari Fujiwara
Kamatari Fujiwara
Okamoto
Atsushi Watanabe
Atsushi Watanabe
Factory Worker Ishida
Kiyomi Mizunoya
Kiyomi Mizunoya
Satoko
Gen Shimizu
Gen Shimizu
Toranosuke Ogawa
Toranosuke Ogawa
Hori, the lawyer
Writer: Hideo OguniProducer: Sōjirō MotokiDirector: Akira KurosawaWriter: Shinobu Hashimoto

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Reviews

CinemaSerf
2022-11-14
70%

This is a far cry from the usual Kurosawa/Mifune effort; indeed in this, Toshirô Mifune is almost unrecognisable. No brave, honourable Samurai this time, but an elderly foundry-owner who is paranoid about the potential impact of nuclear war on his family. To this end, he is determined to sell up and relocate his family to Brazil. The family don't fancy this idea much and try to have him certified. What ensues is a battle of wills, priorities and personalities set against a traditional set of Japanese family structures and values. Viewed, largely, from the perspective of independent arbiter "Dr. Harada" (Takashi Shimura) who has been drafted in to help settle the matter amicably; we visit the perfectly valid (though frequently selfish) approaches taken by both Mifune and his family - who have plenty of scores to settle amongst themselves - as the film tries to establish the best course of action to satisfy both parties. There is quite an interesting scene mid-way through when at the height of their dispute, the old man returns to the court armed with bottles of pop which he has bought for his family to help combat the unrelenting heat, indicating that he clearly still cares greatly for his family, even though they are at loggerheads... and for me, that rather sums the whole thing up - there isn't necessarily a right or wrong solution; it's about individuality and choice but ultimately the happiness of others; and Mifune is great. I found the last fifteen minutes quite sad, perhaps building on the old adage about families and money. Japan, for a good while, struggled to reconcile itself to the realities of a post-Hiroshima threat, so from an observer some 6,000 miles away it can be hard to understand just how viscerally the danger of repetition was taken by many - this film is a thought provoking, emotional - and, at times humorous, glimpse into that fear.

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Details

Status
Released
Origin
JP
Languages
Japanese
Studios
TOHO

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