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1981 • Horror • 88m

The Beyond

"Beyond death... Beyond Evil... Beyond the dreaded gates of hell."

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673 critic reviews

71%

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New Yorker Liza Merril inherits an old hotel in Louisiana and invests her savings to reopen the place, unaware that the hotel houses the body of a dead painter murdered decades earlier, and that the location is about to become a gateway to Hell.

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Top Cast

Catriona MacColl
Catriona MacColl
Liza Merril
David Warbeck
David Warbeck
John McCabe
Cinzia Monreale
Cinzia Monreale
Emily
Antoine Saint-John
Antoine Saint-John
Schweick
Veronica Lazăr
Veronica Lazăr
Martha
Larry Ray
Larry Ray
Larry
Al Cliver
Al Cliver
Dr. Harris
Michele Mirabella
Michele Mirabella
Martin Avery
Giampaolo Saccarola
Giampaolo Saccarola
Arthur
Laura De Marchi
Laura De Marchi
Mary-Ann
Calogero Azzaretto
Calogero Azzaretto
Zombie at Hospital (uncredited)
Ottaviano Dell'Acqua
Ottaviano Dell'Acqua
Zombie at Hospital (uncredited)
Roberto Dell'Acqua
Roberto Dell'Acqua
Glass-Smashing Zombie (uncredited)
Lucio Fulci
Lucio Fulci
Town Clerk (uncredited)
Gilberto Galimberti
Gilberto Galimberti
Zombie (uncredited)
Tonino Pulci
Tonino Pulci
Joe the Plumber (uncredited)
Amedeo Salamon
Amedeo Salamon
Zombie at Hospital (uncredited)
Sergio Salvati
Sergio Salvati
Mob Member (uncredited)
Producer: Fabrizio De AngelisScreenplay: Giorgio MariuzzoDirector: Lucio FulciScreenplay: Lucio FulciScreenplay: Dardano Sacchetti

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Reviews

Wuchak
2026-05-08
50%

**_A New York woman inherits a cursed house outside of New Orleans_** This is southern gothic horror and the second in Lucio Fulci’s unofficial ‘gateways to hell’ trilogy, which all center around a portal to the underworld and include actress Catriona MacColl in three different roles (credited as Katherine MacColl). The first film was “City of the Living Dead” from the year prior, and the third one is “The House by the Cemetery,” which came out later the same year. They’re all self-contained. The gateway to hell in the basement element was ripped off from “The Amityville Horror” from two years earlier and “The Beyond” doesn’t hold up by comparison. “The Amityville Horror” was a huge hit for good reason. It took the time to develop several characters, and I don’t mean just the family members. Moreover, it has a warm heart and there’s light underneath the darkness. This one’s more surreal and uglier, naturally similar to Fulci’s previous “Zombie” and the aforementioned “City of the Living Dead.” His curious trademark of punctured eye sockets is on full display. Catriona MacColl has a face that’s easy on the eyes, but don’t expect anything more on the beauty front. In the masculine department, David Warbeck costars as the doctor or mortician. He brings to mind Roger Moore in the ’70s and was actually considered for the role of 007 before Moore took it. Even then, he signed a hush-hush contract to replace Roger at a moment’s notice if he quit or proved troublesome. I liked the artistic rural creepiness reminiscent of “The Shuttered Room” but, again, it suffers by comparison. Twenty-four years later “The Skeleton Key” took the same milieu, minus the portal to hell, and made a better film. Don’t get me wrong, there are some highlights in this flick, which make it worthwhile to fans of southern gothic horror, not to mention devotees of Fulci, many of whom tend to gush over it. It runs 1h 27m and shot from Oct-Dec 1980 in New Orleans and north of there, across Lake Pontchartrain in Madisonville, which is where the old boarding house is located. The causeway happens to be the Lake Pontchartrain Causeway, which is the longest continuous bridge over water in the world (24 miles). Studio stuff was done in Rome. GRADE: C

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Keywords

Details

Status
Released
Origin
IT
Languages
Italian
Studios
Fulvia Film
Budget
$400,000
Box Office
$123,843

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