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1950 • War / Drama • 100m

Sands of Iwo Jima

"A great human story... makes a mighty motion picture!"

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170 critic reviews

66%

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Haunted by personal demons, Marine Sgt. John Stryker is hated and feared by his men, who see him as a cold-hearted sadist. But when their boots hit the beaches, they begin to understand the reason for Stryker's rigid form of discipline.

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Top Cast

John Wayne
John Wayne
Sgt. John M. Stryker
John Agar
John Agar
PFC Peter T. 'Pete' Conway
Adele Mara
Adele Mara
Allison Bromley
Forrest Tucker
Forrest Tucker
PFC Al J. Thomas
Wally Cassell
Wally Cassell
PFC Benny A. Regazzi
James Brown
James Brown
PFC Charlie Bass
Richard Webb
Richard Webb
PFC Dan 'Handsome' Shipley
Arthur Franz
Arthur Franz
Cpl. Robert C. Dunne / Narrator
Julie Bishop
Julie Bishop
Mary
James Holden
James Holden
PFC 'Farmer' Soames
Peter Coe
Peter Coe
PFC George Hellenpolis
Richard Jaeckel
Richard Jaeckel
PFC Frank Flynn
William Murphy
William Murphy
PFC Eddie Flynn
George Tyne
George Tyne
PFC Hart S. Harris
Hal Baylor
Hal Baylor
Pvt. J.E. 'Ski' Choynski
John McGuire
John McGuire
Capt. Joyce
Martin Milner
Martin Milner
Pvt. Mike McHugh
David Clarke
David Clarke
Wounded Marine (uncredited)
Screenplay: Harry BrownScreenplay: James Edward GrantDirector: Allan Dwan

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Reviews

John Chard
2015-05-21
80%

Life is tough, but it's tougher if you're stupid. Sgt John M. Stryker is a battle hardened Marine who's job it is to prepare his new charges for the realities of war. With no care for making friends, Stryker does what ever it takes to make these men tough and ready for the Pacific conflicts to come. Sands Of Iwo Jima is unashamedly proud in its jingoistic fervour, and rightly so. Iwo Jima, and the now immortal portrait of weary American soldiers hoisting the flag atop Mt. Suribachi, has become a bastion of bravery, a beacon of triumph if you will. So it's no surprise to find Allan Dwan's film has no intention if deviating from boasting its colours, and hooray to that. Here as Stryker we find John Wayne giving a bit more to his character portrayal than merely some beefcake winning the war. Wayne puts depth and sincerity into Stryker, an air of believability shines through as he shows vulnerability, we believe he can win this war with his men, but we also see tenderness and it lifts Sands higher than your average war picture. Wise old director Dwan (432 directing credits to his name), weaves the picture together with admirable restraint. Fusing actual newsreel footage with his own tightly handled action sequences, Sands plays out as the tribute and rally call that it has every right to be, even finding place in the film for three of the soldiers who hoisted that now famous flag. Ira Hayes, Rene Gagnon and John Bradley are the three gentlemen to look out for. The rest of the cast don't really have to do much outside of respond to Wayne's two fold performance, but keep an eye out for a fresh faced Richard Jaeckel as Pfc. Frank Flynn, while I personally enjoyed the brief, but important contribution from Julie Bishop as Mary. Wayne received a nomination for Best Actor at the Academy Awards (too bad for him that 49 contained brilliant shows from the winner Broderick Crawford & a bluderbus turn from Gregory Peck), with other nominations going to the Best Story, Editing and Sound categories. Ironically it was a role Wayne didn't fancy doing, but some encouragements from war veterans humbled him into starring. Lock and load and saddle up for a top entry in the WWII pantheon. 8/10

Wuchak
2026-05-27
60%

**_Wayne leads a squad of men to fight the battles of Tarawa and Iwo Jima_** This was filmed just 4½ years after the actual events of Iwo Jima. John Wayne was 42 years-old during shooting, a decade past his breakout with “Stagecoach,” and still lean. While the flick is hampered by the B&W photography and expected quaint elements, plus it lacks the extreme gore of more modern war movies like “The Thin Red Line” and “Letters from Iwo Jima,” it nevertheless gives you a good idea what it was like to fight in the Pacific Theater of WW2. It’s also interesting going back to the 40s to observe how people talked and interacted back then. It runs 1h 49m and was shot Jul-Aug 1949 in several locations of SoCal (too many to cite). GRADE: B-

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Keywords

Details

Status
Released
Origin
US
Languages
English
Studios
Republic Pictures
Budget
$1,000,000
Box Office
$7,800,000

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