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1929 • Crime / Drama • 91m

Alibi

"A hair-curling thriller vibrant with the pulse of the underworld, asparkle with the glamour of the New York night clubs."

60

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FRESH

22 critic reviews

62%

POPCORN METER

AUDIENCE

Verified ratings

Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took Joan, a policeman's daughter, to the theater, sneaked out during the intermission to commit the crime, then used her to support his alibi. The detective squad employs its most sophisticated and barbaric techniques, including planting an undercover agent in the gang, to bring him to justice.

IMDb

Top Cast

Chester Morris
Chester Morris
Chick Williams
Purnell Pratt
Purnell Pratt
Sgt. Pete Manning
Pat O'Malley
Pat O'Malley
Detective Sgt. Tommy Glennon
Regis Toomey
Regis Toomey
Danny McGann
Harry Stubbs
Harry Stubbs
Buck Bachman
Mae Busch
Mae Busch
Daisy Thomas
Irma Harrison
Irma Harrison
Toots
Al Hill
Al Hill
Brown - a Crook
James Bradbury Jr.
James Bradbury Jr.
Blake - a Crook
Kernan Cripps
Kernan Cripps
Trask - Plainclothesman
Ed Brady
Ed Brady
George Stanislaus David
DeWitt Jennings
DeWitt Jennings
Officer O'Brien
Diana Beaumont
Diana Beaumont
Director: Roland WestWriter: Roland WestWriter: C. Gardner SullivanProducer: Roland West

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Reviews

CinemaSerf
2022-06-06
50%

Regis Toomey ("McGann") steals this otherwise rather humdrum gangster flick - and that's largely because he is drunk for most of it. Otherwise, "Chick Williams" - the not very menacing moniker attributed to Chester Morris is released from jail and picks up where he left off - with his prohibitionist mob. When a cop is shot dead during a robbery, he falls under suspicion - but he has an alibi in the form of "Joan" (Eleanor Griffith) and some theatre tickets! What let's this down rather, is that we know who did what to whom, we know the identity of the fifth columnist the police install in his gang, and thus almost all of the jeopardy is compromised right from the start. The presentation and most of the acting is very static and stage-bound, somewhat woodenly theatrical in it's style. It might have been better had it been made a few years earlier as a silent film as the dialogue adds very little to this average crime caper.

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Details

Status
Released
Origin
US
Languages
English
Studios
Feature Productions, United Artists

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