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1965 • Crime / Drama • 183m

A Fugitive from the Past

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49 critic reviews

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Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.

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Top Cast

Rentaro Mikuni
Rentaro Mikuni
Takichi Inukai
Sachiko Hidari
Sachiko Hidari
Yae Sugito
Kōji Mitsui
Kōji Mitsui
Motojima
Yoshi Katō
Yoshi Katō
Yae's Father
Sadako Sawamura
Sadako Sawamura
Motojima's Wife
Susumu Fujita
Susumu Fujita
Police Chief
Akiko Kazami
Akiko Kazami
Toshiko
Seiichirō Kameishi
Seiichirō Kameishi
Priest
Akikane Sawa
Akikane Sawa
Kōji Sekiyama
Kōji Sekiyama
Detective Horiguchi
Nobuo Yana
Nobuo Yana
Machida
Gōzō Sōma
Gōzō Sōma
Genji Kawai
Genji Kawai
Sumoto
Hideo Murota
Hideo Murota
Pressman
Masanobu Ōkubo
Masanobu Ōkubo
Ken Takakura
Ken Takakura
Ajimura
Junzaburō Ban
Junzaburō Ban
Yumisaka
Mitsuo Andō
Mitsuo Andō
Chûkichi Kijima
Director: Tomu UchidaScreenplay: Naoyuki SuzukiExecutive Producer: Hiroshi Okawa

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Reviews

CinemaSerf
2024-09-05
70%

Sachiko Hidari ("Yae") is great in this film as the young geisha who shelters "Inukai" (Rentarô Mikuni) from a storm one night. Next morning he leaves her quite a sum of money - one that enables her to change her life, pay her debts - all whilst he disappears. That storm was actually a tornado that sank a local ferry boat. During that investigation, two unknown bodies are identified - and they are soon tied in with a fire that largely destroyed a local village where a robbery had taken place. Where had the money gone? Who killed the men? Many years later, "Yae" spots a photograph in a newspaper that she thinks might be her long lost benefactor and sets out to say thanks - with tragic consequences. It is a long film this, over 3 hours, but the clever - almost internecine - fashion in which the old and new stories are married together; the police investigations and the characterisations are carefully and fully crafted leaves us with quite a complex crime thriller. Now, sadly, what makes the thriller work so well is also what ruined the ending for me. It is flawed in so many ways as to make me want to shout at the screen. It's not that the ending itself is wrong, it is that the police procedures (remembering that there was little science involved in the process) are all just to convenient - far fetched, even. Still, this is a strongly paced, beautifully photographed piece of story-telling cinema that runs parallel narratives well and cohesively.

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Details

Status
Released
Origin
JP
Languages
Japanese
Studios
Toei Company

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