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1990 • Family / Comedy • 104m

3 Men and a Little Lady

59

CINESCORE

MIXED

579 critic reviews

61%

POPCORN METER

AUDIENCE

Verified ratings

Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important women in their lives.

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Top Cast

Tom Selleck
Tom Selleck
Peter Mitchell
Steve Guttenberg
Steve Guttenberg
Michael Kellam
Ted Danson
Ted Danson
Jack Holden
Nancy Travis
Nancy Travis
Sylvia Bennington
Robin Weisman
Robin Weisman
Mary
Christopher Cazenove
Christopher Cazenove
Edward
Sheila Hancock
Sheila Hancock
Vera
Fiona Shaw
Fiona Shaw
Miss Lomax
Jonathan Lynn
Jonathan Lynn
Vicar Hewitt
Sydney Walsh
Sydney Walsh
Laurie
Patricia Gaul
Patricia Gaul
Mrs. Walker
Lynne Marta
Lynne Marta
Morgan School Teacher
Rosalind Allen
Rosalind Allen
Pretty Girl
Bryan Pringle
Bryan Pringle
Old Englishman
Ian Redford
Ian Redford
English Farmer
Charles David Richards
Charles David Richards
Stagehand
Melissa Hurley
Melissa Hurley
Dancing Girl at Party
Director: Emile ArdolinoProducer: Robert W. CortProducer: Ted FieldScreenplay: Charlie PetersExecutive Producer: Jean-François Lepetit

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Reviews

CinemaSerf
2023-12-31
50%

Despite the best efforts of Fiona Shaw as the sex-maniac "Miss Lomax" this is really a rather poor follow-up to the original. The child, "Mary" - who is now five (clearly nobody realised that 1990-1987 = well, not five, anyway) has relocated with her mother "Sylvia" (the shockingly wooden Nancy Travis) to live in the UK with fiancé and film director "Edward" (Christopher Cazenove). Of course "Jack" (Ted Danson), "Michael" (Steve Guttenburg) and "Peter" (Tom Selleck) start to miss their playful little wean - with one of them also realising just how madly in love he is with her mother. They have to get to Britain urgently to thwart the nuptials and to get "Mary", the spoilt and very annoying "Mary", back from the clutches of their cut-glass speaking rival. Someone, somewhere, clearly decided that giving this nonsense a British slant might increase it's appeal - to, at least, open up an whole new slew of stereotypes for it to bash. If it's not the accents, it's the doddery curate or the motor-cycle and sidecar - indeed nothing is off limits as this plunders the puerile and contrived to string out this weakest of storylines for almost 1¾ hours of increasingly cringemaking "comedy". The proposed wedding scene at the conclusion just needed a gattling gun after about ten minutes. Sorry, perhaps I just wasn't in the mood but I didn't love the first of these and this is a poor relation. Please. No more!!

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Details

Status
Released
Origin
US
Languages
English
Studios
Touchstone Pictures, Interscope Communications
Box Office
$71,600,000

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