Having been left by her husband, "Kathy" (Jennifer Connelly) awakens one morning to find the bailiffs at the door. She hasn't paid her business taxes and so her home - built by her late father - is to be sold from under her. Next thing, she is living in a motel and what was her house has been bought by "Behrani" (Sir Ben Kingsley). We can tell from the photos around his home that he was once an influential member of the Iranian military under the Shah, and fled his home after the 1979 revolution with his wife "Nadi" (Shohreh Aghdashloo). Now, they have a son and have burned through most of their savings living in the United States. With barely $50,000 left, he spots the opportunity to buy this bungalow at auction and quickly flip it for a more reasonable price so that they can pay for their teenage son "Esmail" (Jonathan Ahdout) to go to university. She, meantime, has engaged the services of a lawyer to contest this process but with "Behrani" already trying to sell the place her options become limited. Meantime, whilst she struggles with the pressures of homelessness, she hits it off with married police officer "Lester" (Ron Eldard) who was one of those who evicted her in the first place, but who proves to be a kindly soul and tries to help her. As he feels more and more sympathy, their relationship becomes much more personal and he decides to intervene in her domestic troubles. That intervention quickly spirals out of control and swiftly creates a perilous scenario for all concerned. The story itself doesn't always add up here, and there are a few plot holes that did annoy me a little, but once we have the thrust of the plot established it becomes a far more considered character study of three people, really. "Kathy" clearly has issues around her relationship with her father; her failed marriage and her own demons and there is something impressively visceral about Connelly's performance of a woman for whom conflict was never far away. "Behrani" is a man with a troubled past, but he is also one not to be pushed around when it comes to protecting that which he loves most - his family; and on that front Sir Ben is at his delicate best. Hiding behind a veneer of accommodating respectability is a man who has done nothing wrong and whose sympathy for "Kathy" is stopping well short of the self-sacrifice she requires - and he delivers that role with little dialogue but quite a lot of presence. The scene stealer for me, though, was Aghdashloo as his wife. With only a little English, she sensitively portrays a woman who is terrified that any boat-rocking by her husband could see them deported back to country where only a wall and some bullets awaited them. She has sympathy for "Kathy", but has only very limited sway with a loving husband who is used to be being obeyed. As the story unfolds it does take one or two desparate turns that do beggar belief a little - especially as "Lester" always manages to make a bad situation worse, but by the end what we have here is a critique on clashes and comparison of culture and communication and it's not that straightforward for us to take sides - even if we wanted to.
